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Home CLARISSA II WOMEN'S LEATHER PLATFORM SANDALS

CLARISSA II WOMEN'S LEATHER PLATFORM SANDALS

Sale price USD $57.76 Regular price USD $175.32

Color BLACK

  • BLACK
  • WHITE

Size UK 3 / US 5 / EU 36

  • UK 3 / US 5 / EU 36
  • UK 4 / US 6 / EU 37
  • UK 5 / US 7 / EU 38
  • UK 6 / US 8 / EU 39
  • UK 6.5 / US 8.5 / EU 40
  • UK 7 / US 9 / EU 41
  • UK 8 / US 10 / EU 42
  • UK 9 / US 11 / EU 43

Order summary

CLARISSA II WOMEN'S LEATHER PLATFORM SANDALS
57.76
Have a Coupon code?
Coupon code applied will be stored on your account

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Details

The Clarissa II Quad is the same classic gladiator sandal we always make — with three straps, an adjustable buckle at the ankle and all the Docs DNA. But now it's got an empowering boost and a heavy dose of attitude thanks to an extra-high platform sole.

  • Gladiator style sandal

  • Adjustable ankle strap

  • Made with classic Docs DNA, including grooved edges, a heel-loop and visible stitching

  • Made with Milled Nappa, a soft, supple pebbled leather

  • Constructed on the iconic and comfortable Dr. Martens air-cushioned sole

  • Built to last with a durable Goodyear welt

  • Platform height: 1.46''

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About the Brand:

When the Dr. Martens boot first catapulted from a working-class essential to a countercultural icon back in the 1960s, the world was pre-internet, pre-MTV, pre-CD, pre-mp3s, pre-mobile phones… hey, they’d only just invented the teenager. In the years before the boot’s birthday, April 1, 1960; kids just looked like tribute acts to their parents, younger but the same. Rebellion was only just on the agenda for some - for most kids of the day, starved of music, fashion, art and choice, it was not even an option. But then an unlikely union of two kindred spirits in distinctly different countries ignited a phenomenon.

In Munich, Germany, Dr. Klaus Maertens had a garage full of inventions, including a shoe sole almost literally made of air; in Northampton, England, the Griggs family had a history of making quality footwear and their heads were full of ideas. They met, like a classic band audition, through an advert in the classified pages of a magazine. A marriage was born, an icon conceived of innovation and self-expression.

Together they took risks.

They jointly created a boot that defined comfort but was practical, hard-wearing and a design classic. At first, like some viral infection, the so-called 1460 stooped near to the ground, kept a low profile, a quiet revolution. But then something incredible started to happen. The postmen, factory workers and transport unions who had initially bought the boot by the thousand, were joined by rejects, outcasts and rebels from the fringes of society. 

At first, it was the working-classes; before long it was the masses.

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